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Maybe it was revenge, or maybe it was just a necessary balancing of the books.

Filippo Scotti in The Hand of God.

The event in question actually has its own rather surprising Maradona connection.

Through unspeakable sorrow, the director seems to suggest, he wound up becoming a man and an artist.

To be fair, everybody in the family seems to lust for Patrizia.

The early scenes ofThe Hand of Godare disjointed in the way family chronicles tend to be.

And Ill never have it.)

Their sister, in a surreal running gag throughout the movie, never leaves the bathroom.

Isnt that how memory works, anyway?

He is contemporary cinemas mad poet of unchecked hedonism.

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