We Are Who We Are
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Well, theres aIIright after.
It adds a distinctive rhythm to the series, more recursive than propulsive.
Caitlin, like all teenagers, contains multitudes.
And here is where we praise Seamon, who anchors Caitlins shifts in mood with aplomb.
Teenagers, by their very nature, are mercurial.
Also, her scene in the bathroom that ends in a mischievous smile to herself was just divine.
Seeing Caitlin bury a bloodied sanitary napkin in the sand, for instance, feels instantly symbolic.
But these arent distinct jigsaw puzzles that need to fall into place.
Thewecould just as well be referring to Fraser and Caitlin as it could to Harper and Caitlin.
It explains her response to her father (played by Scott Mescudi, a.k.a.
The episode ends with a leap of faith.
Two, to be exact, both encouraged by young men in Caitlins life.
Happy period, you little slut!
Closing with a Klaus Nomi song?
::chefs kiss::
