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Even The Lottery wounds you once, and once only.

And still something eddies in the recurring anxiety about her merit (Is LOA about to jump the shark?
Malcolm Jones wrote inNewsweekabout the Library of America releasing a volume of Jacksons work).
The camera holds on Mosss remarkable face as Shirley braces as though undergoing an unanesthetized surgery.
Shirleyisnt quite a biopic.
Hes considered bohemian; she gets looked at as the madwoman in the attic.
It doesnt straddle these modes so much as it shifts its weight between them aimlessly.